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S671ALB-BCM
S671ALB-BAB
  • BCM : Blue Chameleon
  • BAB : Black Aurora Burst Gloss
  • COLOR VARIATION:
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SPEC

  • SPECS

    • neck type
    • Nitro Wizard5pc Panga Panga/Walnut neck
    • top/back/body
    • Nyatoh body
    • fretboard
    • Bound Macassar Ebony fretboardWhite Step off-set dot inlay
    • fret
    • Jumbo Sub Zero treated frets
    • number of frets
    • 24
    • bridge
    • Gibraltar Standard II bridge
    • string space
    • 10.8mm
    • neck pickup
    • Fishman® Fluence™ Modern Humbucker (H) neck pickupActive/Alnico
    • middle pickup
    • Fishman® Fluence™ Single Width (S) middle pickupActive/Ceramic
    • bridge pickup
    • Fishman® Fluence™ Modern Humbucker (H) bridge pickupActive/Ceramic
    • factory tuning
    • 1E,2B,3G,4D,5A,6E
    • strings
    • D'Addario® EXL110
    • string gauge
    • .010/.013/.017/.026/.036/.046
    • hardware color
    • Black
  • NECK DIMENSIONS

      • Scale :
      • 648mm/25.5"
      • a : Width
      • 43mm at NUT
      • b : Width
      • 58mm at 24F
      • c : Thickness
      • 19mm at 1F
      • d : Thickness
      • 21mm at 12F
      • Radius :
      • 400mmR
    • DESCRIPTION

      Guitar Neck Diagram
      a: Width of the neck at the nut
      b: Width of the neck at the first fret
      c: Thickness of the neck at the first fret
      d: Thickness of the neck at the twelfth fret
      Radius: Radius of the fingerboard

  • SWITCHING SYSTEM

    S671ALB's Switching system diagram

    DESCRIPTION

    When the pickup selector switch is in neck position, the neck pickup is selected. When the switch is in between neck and center position, the neck side of the neck pickup and the center pickup are selected. When the switch is in center position, the center pickup is selected. When the switch is in between center and bridge position, the center pickup and the neck side of the bridge pickup are selected. When the switch is in bridge position, the bridge pickup is selected.

  • CONTROLS

    S671ALB's control diagram

    DESCRIPTION

    With the guitar held in the playing position, there is a five-way pickup selector switch near the knee cutout. The knob right above the pickup selector switch is the volume knob. The volume knob also functions as a Fishman Fluence voicing switch. When the knob is down, the pickups are in voicing 1, and when the knob is up, the pickups is in voicing 2.

  • OTHER FEATURES

    • Fishman® Fluence Voicing switch on volume control (push/pull)
    • Luminescent side dot inlay
    • Schaller S-Locks strap lock pins
    • Luminescent Ibanez logo
    • Gotoh® MG-T locking machine heads

Features

Fishman® Fluence pickups w/voicing switch on the volume knob (push/pull)

Fishman® Fluence pickups w/voicing switch on the volume knob (push/pull)

The Fishman Fluence Modern Humbucker pickups in the neck and bridge positions provide an aggressive tone and a powerful attack. The Fluence Single Width pickup in the middle position delivers a warm, clear tone a stunning punch without excess noise. The Voicing switch allows the pickups to switch from a modern, active high output sound to a crisp, clean and fluid sound.

Macassar Ebony fretboard

Macassar Ebony fretboard

Macassar Ebony produces tight lows and mid range along with strong attack in the highs and quick response with rich sustain.

Gibraltar Standard II Bridge

Gibraltar Standard II bridge

The Gibraltar Standard II is a simple fixed bridge designed provide optimal transfer of each string's vibration and its smooth surface maximizes playing comfort.

Luminescent side dot inlays

Luminescent side dot inlays

The luminescent side dot inlays make it easy for players to perform on dark stages, matching the dazzling luminescent Ibanez headstock logo.

Schaller S-Lock strap lock pins

Schaller S-Lock strap lock pins

Indestructible Schaller S-Locks don't fail, even under the toughest conditions on stage.

Gotoh MG-T locking machine heads

Gotoh® MG-T locking machine heads

The Gotoh® MG-T locking machine heads achieve incredible tuning stability, cutting down string-changing time.

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