BTB866SC
- WKL : Weathered Black Low Gloss
- COLOR VARIATION：
SPEC
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SPECS
- neck type
- BTB65pc Maple/Walnutneck-through w/Graphite reinforcement rods
- top/back/body
- Ash topAsh/Okoume wing body
- fretboard
- Rosewood fretboardAbalone dot inlay
- fret
- Medium stainless steel frets
- number of frets
- 24 + zero fret
- bridge
- MR5 bridge
- string space
- 17mm
- neck pickup
- Bartolini® BH2 neck pickupPassive
- bridge pickup
- Bartolini® BH2 bridge pickupPassive
- equaliser
- Ibanez Custom Electronics 3-band EQ w/Mid frequency switch
- factory tuning
- 1C,2G,3D,4A,5E,6B
- strings
- D'Addario® NYXL32130SL
- string gauge
- .032/.045/.065/.080/.100/.130
- hardware color
- Black
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NECK DIMENSIONS
-
- Scale :
- 889mm/35"
- a : Width
- 54mm at NUT
- b : Width
- 85mm at 24F
- c : Thickness
- 20mm at 1F
- d : Thickness
- 22mm at 12F
- Radius :
- 950mmR
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DESCRIPTION
Guitar Neck Diagram
a: Width of the neck at the nut
b: Width of the neck at the fret position specified by the neck dimension
c: Thickness of the neck at the first fret
d: Thickness of the neck at the fret position specified by the neck dimension
Radius: Radius of the fingerboard
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CONTROLS
DESCRIPTION
With the bass held in the playing position, there are three small knobs closest to the lower edge of the body. Directionally, from the lower bout towards the neck knobs are treble boost/cut, mid boost/cut, and bass boost/cut. There are two larger knobs above these, closer to the bridge. The knob closest to the neck controls volume, and the knob next to it is the pickup balancer control. There is a 3 way mid frequency switch next to the balancer knob. When the switch is in neck position, mid boost peak is at 250Hz. When the switch is in center position, mid boost peak is at 450Hz. When the swtitch is in bridge position, the mid boost peak is at 700Hz.
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FREQUENCY RESPONSE
DESCRIPTION
The bass boost/cut frequency curve has a peak at 20 Hz, the variable width becomes smaller toward the high range, and the variable width becomes zero at about 1000 Hz. The variable range of the peak frequency is approximately ±15 dB. The treble boost/cut frequency curve draws a mountain-shaped curve with a peak at around 10,000 Hz and zero variable range around 100 Hz. The variable range of the peak frequency is approximately ±15 dB. The mid-boost/cut frequency curve creates a bell-shaped curve that peaks at a specific frequency, and the variable range becomes zero near 20 Hz and around 10,000 Hz. The frequency peak can be switched to 700, 450 and 250 Hz. The variable range of the peak frequency is approximately ±15 dB.
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OTHER FEATURES
Features
5pc Maple/Walnut neck with Graphite reinforcement rods
The 5pc Maple/Walnut neck provides tonal clarity and superior attack.The Graphite reinforcement rods provides massive sustain and excellent stability.
Rosewood fretboard
Rosewood fretboard provides a well-balanced solid tone with a focused mid range.
Ash top / Ash / Okoume wing body
The Ash top imbues this bass with an exotic appearance and the Ash/Okoume body provides superior attack, bright and solid sound with rich sustain.
Bartolini® BH2 pickups
The Bartolini® BH2 pickups provide a tight bottom-end, punchy mid-range, and smooth response. The dual-coil style configuration maximizes articulation and a long blade pole piece widens the magnetic field, providing balanced string-to-string pickup response.
Ibanez Custom Electronics 3-band EQ
The Ibanez Custom Electronics 3-band EQ is our latest refinement on the concept of simple, straightforward, no-nonsense EQ control. The Boost and Cut for the Mid Control are each centered on slightly different frequencies, an innovation that delivers a preset range of the most favorable bass tones.
MR5 bridge
The Mono-Rail V is the ultimate bridge for bass string isolation. Each bridge is independently and securely locked down to the body for maximum vibration transfer without interference.
3-way Mid frequency switch
The 3-way Mid frequency switch allow players to change the mid-tone between 250, 450, and 700 Hz.
Detachable Finger ramp
A detachable Finger ramp is included for comfortable finger picking.
Neck-through construction
The neck-through construction contributes to massive sustain and smooth access to high fretboard positions.