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SPEC

  • SPECS

    • neck type
    • ANB6 5pc Maple/PurpleheartNeck-through
    • top/back/body
    • Quilted Maple topAsh body
    • fretboard
    • Purpleheart fretboardAbalone oval inlay
    • fret
    • Medium fretsPremium fret edge treatment
    • number of frets
    • 24
    • bridge
    • Hipshot A style bridge
    • string space
    • 18mm
    • neck pickup
    • Bartolini® xxM56C-B neck pickupPassive
    • bridge pickup
    • Bartolini® xxM56C-T bridge pickupPassive
    • equaliser
    • Bartolini® NTMB+F ANB Custom 3-band EQ
    • factory tuning
    • 1C,2G,3D,4A,5E,6B
    • strings
    • D'Addario® EXL165 + .130
    • string gauge
    • .032/.045/.065/.085/.105/.130
    • hardware color
    • Black
  • NECK DIMENSIONS

      • Scale :
      • 864mm/34"
      • a : Width
      • 55mm at NUT
      • b : Width
      • 91mm at 24F
      • c : Thickness
      • 19.5mm at 1F
      • d : Thickness
      • 21.5mm at 12F
      • Radius :
      • 400mmR
    • DESCRIPTION

      Guitar Neck Diagram
      a: Width of the neck at the nut
      b: Width of the neck at the fret position specified by the neck dimension
      c: Thickness of the neck at the first fret
      d: Thickness of the neck at the fret position specified by the neck dimension
      Radius: Radius of the fingerboard

  • CONTROLS

    ANB306's control diagram

    DESCRIPTION

    With the bass held in the playing position, the knob closest to the lower edge of the body is the mid boost/cut knob. There are three additional knobs above the mid control, closer to the bridge. The knob closest to the end of the body is stacked. The upper portion controls the treble boost/cut, and the lower portion controls the bass boost/cut. Directionally, from this stacked knob towards the neck, the controls are pickup balance and volume. Directly in between the mid boost/cut knob and the volume knob is a 3-way mid frequency switch. When the switch is in neck position, mid boost peak is at 250Hz. When the switch is in center position, mid boost peak is at 500Hz. When the switch is in bridge position, mid boost peak is at 800Hz.

  • FREQUENCY RESPONSE

    ANB306's EQ curve diagram

    DESCRIPTION

    The bass boost/cut frequency curve has a peak at 20 Hz, the variable width decreases toward the high range, and the variable width becomes zero at about 700 Hz. The variable range becomes slightly larger in the high range than around 700 Hz, but it becomes zero again near 10,000 Hz. The variable range of the peak frequency is approximately ±12 dB. The treble boost/cut frequency curve draws a mountain-shaped curve with a peak at around 20000 Hz and zero variable width around 50 Hz. The variable range of the peak frequency is approximately ±20 dB. The mid-boost/cut frequency curve creates a bell-shaped curve that peaks at a specific frequency, and the variable range becomes zero near 10,000 Hz. The frequency peak can be switched between 800, 500 and 250 Hz. The variable range of the peak frequency is about ±10 dB.

  • OTHER FEATURES

    • Gotoh® machine heads
    • Gig bag included

Features

Purpleheart fretboard

The Purpleheart fretboard emphasizes the beauty and the rich tonal character of this bass.

5pc Maple/Purpleheart neck

5pc Maple/Purpleheart neck

The 5pc Maple/Purpleheart neck with neck-through construction allows for the maximization of vibration through the entire bass, promoting rich sustain.

Quilted Maple body top and Ash wing back

Quilted Maple body top and Ash wing back

The 5pc Maple/Purpleheart neck with neck-through construction allows for the maximization of vibration through the entire bass, promoting rich sustain.

Bartolini xxM56C pickups & NTMB+F ANB Custom Electronics

Bartolini® xxM56C pickups & NTMB+F ANB Custom Electronics

The combination of the Bartolini® xxM56C pickups and the NTMB+F ANB Custom Electronics 3-band eq with a 3-way Mid frequency switch creates an immense palette of versatile sounds.

Hipshot A Style bridge

Hipshot® A Style bridge

Hipshot® A Style bridge has 18mm string spacing, slightly wider than the standard 16.5mm SR-5 string spacing. The extra space offers players plenty of freedom for techniques like slap, without compromising player comfort.

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