JGM11
SPEC
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SPECS
- body shape
- Asymmetrical Jumbo body
- bracing
- Thermo Aged™ Spruce Modified X-M Bracing
- top
- Thermo Aged™ Solid Sitka Spruce top
- back & sides
- Solid African Mahogany back & Solid African Mahogany sides
- neck
- JGMAfrican Mahogany/Maple 5pc neck
- fretboard
- Macassar Ebony fretboard
- bridge
- Macassar Ebony top loading bridge
- body binding
- Macassar Ebony body binding with rounded body edge
- top board purfling
- Wooden
- inlay
- Specially designed "PASSIONFLOWER” Wooden Vine inlay
- soundhole rosette
- Specially designed "Mobius ring" wooden rosette
- tuning machine
- Gotoh® Chrome SGS510Z tuners (18:1 gear ratio), Keith Banjo Tuners Stainless Steel D-Tuners 1/2
- nut material
- Bone
- number of frets
- 20
- saddle material
- Bone
- strings
- D'Addario® XTAPB1256
- string gauge
- .012/.016/.025/.035/.045/.056
- string space
- 11.7mm
- factory tuning
- 1D,2A,3G,4D,5G,6C
- pickup
- Fishman® Rare Earth Mic Blend Active Soundhole, Tap
- preamp
- Fishman® PowerTap Earth Blend preamp
- output jack
- Dual Outputs (2 endpin jacks - 1 stereo/mono output capability built in (with strap button) - 1 mono flush mount)
- battery
- 9V x1
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NECK DIMENSIONS
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- Scale :
- 655mm/25.75"
- a : Width
- 45mm at NUT
- b : Width
- 60mm at 14F
- c : Thickness
- 20.5mm at 1F
- d : Thickness
- 22mm at 7F
- Radius :
- 400mmR
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DESCRIPTION
Guitar Neck Diagram
a: Width of the neck at the nut
b: Width of the neck at the fret position specified by the neck dimension
c: Thickness of the neck at the first fret
d: Thickness of the neck at the fret position specified by the neck dimension
Radius: Radius of the fingerboard
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BODY DIMENSIONS
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- a : Length
- 20 7/8"
- b : Width
- 17 "
- c : Max Depth
- 4 7/8"
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DESCRIPTION
Guitar Body Diagram
A: Length of the body
B: Maximum width of the body
C: Maximum depth of the body
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PREAMP
DESCRIPTION
With the guitar held in the playing position, there is a knob affixed to the pickup assembly, which controls the output balance between the microphone and magnetic pickup. When turned fully counterclockwise, the output is coming the pickup only, in the middle position, the output is an equal blend of the pickup and microphone. When turned clockwise, the output is coming from the microphone only. Slightly below the pickup is a switch that controls the low frequencies of the microphone. When the switch is the up position, the low frequency range of the microphone is cut. When the switch is the down position, the low frequency range of the microphone output is neutral.
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OTHER FEATURES
Features
5pc African Mahogany/Maple neck
The African Mahogany and Maple 5pc neck has enhanced durability.
Macassar Ebony fretboard
Macassar Ebony produces tight lows and mid range along with strong attack in the highs and quick response with rich sustain.
Jumbo Stainless Steel frets
Stainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response and effortless articulation when playing chords and clear tone when playing single notes.
Specially designed "PASSIONFLOWER" Wooden Vine inlay
Thermo Aged™ Solid Sitka Spruce top
Thermo Aged™ Solid Sitka Spruce Top delivers a vintage dry sound.
Solid African Mahogany back and sides
Solid African Mahogany back and sides offer full-bodied warm mid range.
Fishman® Rare Earth Mic Blend Active Soundhole pickup, Tap pickup
The combination of Fishman® Rare Earth Mic Blend Active Soundhole pickup and Tap pickup offers a warmer, more natural acoustic tone with clarity of sounds.
PowerTap Earth Blend
Blending the Rare Earth Mic Blend Active Soundhole pickup with Tap pickup, Fishman® PowerTap Earth Blend system allows the guitar to capture the string vibration through the whole body and neck, which provides a rich acoustic tone and a dynamic percussive sound from the body and neck.
Gotoh® machine heads (18:1 gear ratio) for 3rd-6th strings, Keith Banjo tuners for 1st & 2nd strings
Macassar Ebony top loading bridge
For a better percussive sound, the Macassar Ebony bridge features a top loading system without a bridgepin. It also offers a fast and easy method for string changes.
Asymmetric jumbo body
Developed for modern fingerstyle players, the asymmetric jumbo body features a low-end focused sound and tapping friendly shape.
Dual Outputs (Magnetic pickup/Contact pickup/Microphone outputs)
Plugged into the endpin jack only: Magnetic pickup + Contact pickup + Microphone with mixed output
Plugged into both the endpin jack and the mono flush mount endpin jack: Magnetic pickup, Contact pickup and Microphone running independently. (a TRS to TRS cable or a TRS to stereo ”Y” cable should be used). Endpin Jack = Magnetic pickup, Microphone output, Mono flush mount endpin jack = Contact pickup output
25 3/4 inch scale
A 25 3/4 inch scale helps to maintain proper tension and pitch even while down tuning, a technique modern finger players often utilize. This scale-length also delivers improved sustain.
Fiberglass case included
The Ibanez fiberglass case offers extreme protection for your instrument.